Bach Bibliography Search Result

Author : Crist, Stephen A.
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Bach's Debut at Leipzig: Observations on the Genesis of BWV 75 and 76.	[p]AMS_NewEngland			May 1984
	2.	Bach's Debut at Leipzig: Observations on the Genesis of BWV 75 and 76.	[p]AMS_Philadelphia			Oct 1984
	3.	Bach's début at Leipzig. Observations on the genesis of Cantatas 75 and 76.	EarlyM	13	2	May 1985	212-226
	4.	Aria Forms in Bach's First Leipzig Jahrgang.	[p]AMS_Allegheny			Nov 1987
	5.	Aria Forms in the Vocal Works of J. S. Bach, 1714-24.	diss.			1988	xv, 337p
	6.	Aria forms in the Cantatas from Bach's first Leipzig Jahrgang.	BachStud	1		1989	36-53
	7.	The Compositional History of Bach's Cantata Preise dein Glücke, gesegnetes Sachsen, BWV 215.	[p]AMS_AlleghenyCapital			Oct 1989
	8.	Harmonic Figures in the Arias of J. S. Bach.	[p]AMS_NorthernCalifornia			Feb 1992
	9.	Johann Sebastian Bach and Seventeenth-Century Music: Historiographic Perspectives.	[p]AMS_SouthCentral			Apr 1993
	10.	Beyond 'Bach-Centrism': Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music.	ColMSymposium	33-34		1993-94	56-69
	11.	The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215.	BachPerspectives	1		1995	135-161
	12.	Bach, Theology, and Harmony: A New Look at the Arias.	Bach	27	1	Spring-Summer 1996	1-30
	13.	Bach, Theology, and Harmony: A New Look at the Arias.	[fs]Brainard			1996	65-95
	14.	J. S. Bach and the Conventions of the Da Capo Aria, or How Original was Bach?	IrishMStud	4		1996	71-85
	15.	The early works and the heritage of the seventeenth century.	[ce]CambridgeCompanion_Bach			1997	75-85
	16.	Recitatieven en arias.	[ce]WereldBachCantates	3		1998	192-211
	17.	Rezitative und Arien.	[ce]WeltBachKantaten	3		1999	193-212
	18.	Recitatives and Arias in Bach's Leipzig Church Cantatas.	ChoralJ	41	4	Nov 2000	9-20
	19.	The Role and Meaning of the Bachian Chorale in the Music of Dave Brubeck.	[p]ABS_Washington			Apr 2000
	20.	Rezitativo to Aria.	[ce]BachKantataNoSekai	3		2002	323-353
	21.	Historische Theologie und Hymnologie als Interpretationshilfen für Bachs Kantate Ich elender Mensch, wer wird mich erlösen (BWV 48).	DortmundBachF	3		2002	303-323
	22.	The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck.	BachPerspectives	5		2003	179-215
	23.	Bach in America.	BachPerspectives	5		2003	xiv, 227p
	24.	Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48.	EastmanStudM	28		2004	57-84
	25.	Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall.	EastmanStudM	28		2004	448p
	26.	When is an aria not an aria?	[p]ABS_NewBrunswick			Apr 2004
	27.	When is an aria not an aria? Terminological and generic distinctions among the solos in Bach's vocal works.	[p]BICB_Manchester			Jul 2004
	28.	Theology and Musical Conventions in the Arias of J. S. Bach.	[p]FMCS_Yale			Mar 2007
	29.	The Narrative Structure of J. S. Bach's St. Matthew Passion.	[p]ABS_Bethlehem			May 2008
	30.	Meditatie en gebed. De aria's in de Matthäus-Passion.	[ce]GeheimenMatthausPassion			2010	45-55
	31.	Johann Sebastian Bach.				29 Jun 2011
	32.	A compositional testing ground: Arias in J. S. Bach’s Weimar church cantatas.	[p]BNUK_Warsaw			Jul 2013
	33.	What Did Johann Ludwig Krebs Learn about Arias from his Teacher, Johann Sebastian Bach?	Bach	46	2	2015	46-58
	34.	New research on Lorenz Mizler.	[p]BNUK_Cambridge			Jul 2017
	35.	A Compositional Testing Ground: Arias in J. S. Bach's Weimar Church Cantatas.	UnderstandingBach	12		2017	9-20
	36.	What did Johann Ludwig Krebs learn about arias from his teacher, Johann Sebastian Bach?				2018	57-70
	37.	Johann Philipp Bach and the Aria Scotese con Variazzione: Twilight of the Bach Dynasty?	Bach	51	2	2020	186-209
	38.	Bach as Modern Jazz.	BachPerspectives	13		2020	101-121